Black & Blue. 152cm by 157cm – 60″ x 62″ inches. Ballpoint pen on blotch paper. 2007. 
Black & Blue. 6th panel. 64cm by 66cm – 25” x 26” inches. Ballpoint pen on blotch paper. 2007. 
Black & Blue. 8th panel. 20cm by 66cm – 8” x 26” inches. Ballpoint pen on blotch paper. 2006 – 2007. 
Black & Blue. 3rd panel. 28cm by 66cm – 11” x 26” inches. Ballpoint pen on blotch paper. 2006 – 2007. 
Black & Blue. 4th panel with contribution by Millie Knaff. 20.3cm by 66cm – 8” x 26” inches. Ballpoint pen on blotch paper. 2005 – 2006.
Mini Infernal Machine. 31cm by 46cm – 12” x 18” inches. Ball point & Ink pens, silver marker on watercolor paper. 2004. 
Mini Infernal Machine – 4th panel. 10cm by 15cm – 4” x 6” inches. Ball point & Ink pens, silver marker on watercolor paper. 2004. 
Mini Infernal Machine – 7th panel. 10cm by 15cm – 4” x 6” inches. Ball point & Ink pens, silver marker on watercolor paper. 2004. 
Mini Infernal Machine – 9th panel. 10cm by 15cm – 4” x 6” inches. Ball point & Ink pens, silver marker on watercolor paper. 2004.
The Infernal Machine. Fully assembled in studio: 191cm by 267cm – 75” x 105” inches. Ballpoint pen on paper. 2003. 
The Infernal Machine. Installed at the Ontario College of Art & Design graduation show. Fully assembled: 191cm by 267cm – 75” x 105” inches. Ballpoint pen on paper. 2005. 
The Infernal Machine – center panel. The year and a half drawing meditation began at the center of this sheet. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001. 
The Infernal Machine – second panel. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001 – 2003. 
The Infernal Machine – second panel. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001 – 2003. 
The Infernal Machine – sixth panel. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001 – 2003. 
The Infernal Machine – seventh panel. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001 – 2003. 
The Infernal Machine – ninth panel. 64cm by 89cm – 25” x 35” inches. Ballpoint pen on paper. 2001 – 2003.
The Infernal Machine is a year and a half mediation on ‘nothingness‘ recorded through a continuous pen scribble between 2001-2003 on 9 interconnected panels. The piece reflects on reality as a flowing mass of interrelated and interconnected objects, forces and processes from which our limited senses filter out our individual and fragmented perception of what reality is. The Infernal Machine can be though of as our mind, our consciousness, our id and ego, our body as a sensory whole, our flawed process of separating experience into fragments of time and space.